The work

Ottoline: a man laughing, a tight black and white portrait
Ottoline's home page on a phone: a woman seated in a bare corner, over the headline in large type
Ottoline: the dentist matching a shade against a patient's teeth, in black and white

Website · cosmetic dentist · UK · concept

Ottoline

A dentist's site set out as a fashion magazine.

Made
The site, with a reply-card booking
Pages
Treatments, fees, smiles, the dentist
Status
Concept, not a real practice
Open the site

Concept · the brief I set

The practice
An invented cosmetic dentist in Bloomsbury, London: one dentist and one ceramist, five minutes from Russell Square.
The idea
An editorial identity built around the dentist and the ceramist, carried through treatments, cases, fees and booking.
Who it suits
A small practice that wants to look like a fashion brand, not a clinic.

Ottoline is a concept, not a real practice. Every name, fee, case and review on the site is an example. The photographs are illustrations, not patients.

01 · The idea

A fashion magazine about one dentist.

Tallis is about a building. Ottoline is about two people: the dentist, and the ceramist who makes the teeth. So the site reads as a magazine about them. The type is very large against black and white portraits, and the facts are set like photo credits.

The words follow the same idea. They're short and a little dry, and the headlines are statements. It never says luxury, flawless or Hollywood smile.

The first Ottoline direction, with a note on who it suits
The direction, first drawn
The finished Ottoline home page: a black and white portrait beside a large stepped headline
Built: the home page as a spread

02 · Finding the first screen

A cover, a spread or a contact sheet.

I drew three first screens: a standing cover, a two-page spread and a contact sheet. The spread became the home page, with a portrait on one side and the headline stepping down the other, the way a magazine opens a feature. The contact sheet became the smiles page.

Down the page, heavy spreads alternate with calm ones, like turning through an issue.

01
An Ottoline first screen set as a magazine cover
A cover
02
An Ottoline first screen set as a two-page spread
A spread, chosen for the home page
03
An Ottoline first screen set as a contact sheet on black
A contact sheet, used for the smiles

03 · Every page a different spread

No two pages share a layout.

Each page borrows a different part of a magazine. The veneers page is one giant letter V. The fees page is a price list. The smiles page is a contact sheet of nine frames, and you book on a reply card.

The layouts come from references I measured, among them Irving Penn's corner portraits, Paola Kudacki's tight crops and a spread with a letter the full height of the page.

01
Ottoline's veneers page: a giant italic V beside the ceramist at work
Veneers: one letter
02
Ottoline's fees page set as a price list
Fees: a price list
03
Ottoline's smiles page: a contact sheet of nine black and white portraits
Smiles: a contact sheet
04
Ottoline's booking page set as a reply card
Booking: a reply card